He shapes up as a brutal bully and leads a care-free life. He probably is referred to as the hero of Paruthi village as he heroically saves the life of the young Muthazhagu. The village in reality is quite famous for the sun temple in south India.
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The name paruthiveeran literally means "the hero of paruthi", derived from the fact that the village where he lives (and the movie is set) is called Paruthi or Paruthiyur. The village is called Parithiyur where Paruthiveeran lives with his doting uncle - father's brother, (Saravanan). Bicycle thieves is a lesson for every film maker to watch and learn.The story is set in a rural area around Madurai. All we need is an open mind and an eye for good cinema.
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Like music, movies also transcend barriers and break free from the clutches of language. Anurag Kashyap manned the lens after viewing this classic. Satyajith Ray having watched this in London returned home with a determination to direct. Bicycle thieves is an inspiring film and noted film makers quote it as a landmark in movie making. The irony of life is captured poignantly. The movie was a pioneering effort in Italian neorealism depicting the psyche and conditions of Italian people. Will he cross over from good to bad? Will he give in to his poverty or hold on to his principles? A million questions crowds his mind and the wretched day of his life ends with people telling him it is his lucky day. The despair and anxiety the father faces as he struggles to quiet his conscience yet cannot break free of the temptation to steal is amplified by the music. The background score adds momentum to the visuals and manages to convey the mood effectively. It is a coming of age movie that weaves real life drama without exaggeration or item numbers. We feel his joy when he gloats about extra pay, the frustration on losing his cycle and the shame when chased by a mob. No scene is wasted and the screenplay is taut. The story flows organically right from the first shot to end credits. The entire movie covers a couple of days in the life of the protagonist yet we manage to invest in his life effectively. People crowding in front of the employment exchange, the pawned sheets added to a mountain of other items, a husband’s love for his wife as he cycles with her on the handlebars, people queuing to see a seer and a young boy’s love for his bicycle are all conveyed without a word spoken. This is asserted in the movie where dialogues flow only when required. But what it relied on was a solid plot, seamless storytelling and brilliant screenplay.Ĭinema is primarily a visual medium. The movie does not bank on star power with the lead played by a factory worker and most of the cast being untrained actors. Devoid of color, this black and white drama paints the isolation, frustration and the gray areas of life vividly. Sica’s masterpiece captures the raw emotions of poverty and tragedy brilliantly that everything else plays second fiddle. There are battles waged in front of the water tap, couples arguing yet calmly pawning the sheets for money, child labor and people bickering to get on to a bus and black markets.
Does he get his bike back from the thief or is it too late?Įven for a first time viewer it is easy to spot the parallels to our own Tamil cinema. Unable to find his bike there, he manages to spot the thief on his own. Dejected, he seeks help from a friend who reassures him and takes him to a black market. He gives chase but the thieves are too quick for him.
On his first day, the cycle is stolen in broad daylight. He reports to work bike in hand and is enrolled. The wife, as always, quickly decides to get rid of their linen in exchange for the bike. He returns home to his wife and children cursing his luck or the lack of it. Unfortunately, he has just pawned it to get a few days worth of food. A father, brilliantly portrayed by Lamberto Maggiorani secures a job plastering posters of Rita Hayworth for which he has to have a bike. The story unfolds in the post world war II era when Rome is rife with unemployment and poverty. This is the plot of Bicycle Thieves, an Italian blockbuster directed by Vittorio De Sica in 1948. If you thought I was talking about Pollathavan, the Dhanush starrer that catapulted Vetri Maaran to fame and fortune, you are wrong. The bike was his messiah, his ticket to a career and an escape from his impoverished lifestyle.